Arts Archive

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Fall Out Boy’s Gay Agenda

TAMPA—Chicago natives Fall Out Boy first gained national
exposure with their catchy song, “Sugar, We’re Goin’
Down.” The poster boys for angstridden
youth have become somewhat
of a positive role model to their fans.
It is too bad that some of the kids’
parents don’t see it that way. Fall
Out Boy guitarist Pete Wentz admits
to cussing like a sailor, but that
aside, he doesn’t drink, smoke, or do
drugs. He also has some positive things
to say, and is standing up for tolerance
of all people.
“What we do not endorse here is
racist, sexist or homophobic comments
or behavior. If you are going to
act like a racist, sexist or homophobic
asshole, return our merchandise, return
our CDs and leave our show,” is
something that Wentz has been saying
at his shows recently. He feels that
he has a voice and wants it to be
heard. Those sentiments fell on deaf
ears recently as a ‘concerned’ mother
did not want to hear what he had to
say. In an email she sent to Fall Out
Boy’s record company, it included this statement, “The
ticket said ‘all ages,’ and your band was very foul-mouthed
and anti-morals. Charlotte [NC] is not the demoralized city
that liberal San Francisco and other cities across the North
and West are. I had looked forward to this concert with my
girls for months [and] I didn’t spend over $200 on gas, food
and, unfortunately, shirts for you to give your own personal
political testimony. … This was a concert, not some liberal
homosexual rally.” She went on to say that she plans on
contacting other venues where the band will be playing and
letting the towns folk know what they are in for.
Then there is the feud with label mate band the Killers.
Both bands share the same representative, and the Killer’s
lead singer Brandon Flowers was getting jealous that Fall
Out Boy had been getting all of his attention of late. Blog
entries from both bands shared barbs back and forth. That
is not all that Wentz has been up to. Nude photos of the
singer surfaced on the internet recently, though Wentz
claims it was an act of revenge from a former friend whose
girlfriend he hit on.
When a buxom young woman flashed her breasts,
Wentz told her to cover them up. “No keep your shirt on.
You don’t have to flash Fall Out Boy, you just have to rock
out and have a good time.” A few songs later he had quite
a different approach to guys exposing their chests. “We
know it’s hot out there and we want to turn this into a 50-
Cent show, so guys, take off your sweaty shirts and start
swinging them over your heads.” Wentz noticed a guy with
“the coolest hair in the place,” and pulled him on stage to
hang out for a song. He is also a fan of the show “Project
Runway.” Hmmm…Pete, should we connect the dots?
Wentz likes their single, “Sugar. We’re Going Down,”
but never expected it to become
such a huge hit. It has been the
number one requested single on
many radio stations and video programs
worldwide. “This single kind of
took off more than they expected.”
The band is very tongue in cheek.
Some song titles include, “Our Lawyers
Made Us Change The Name Of
This Song So We Wouldn’t Get Sued,”
and “I Slept With Someone In Fall Out
Boy And All I Got Was This Stupid
Song Written About Me.”
Living the rock star life for this
band seems tame in comparison to
the stories you hear on VH1’s Behind
The Music. “We are not really that
crazy. We watch DVDs on our bus
then go to sleep. We stop off at a drug
store and buy some candy or whatever.
It doesn’t get that crazy really.
You start this thing so you never have
to have any responsibility and you
never miss out on hanging out with
your friends and then because of this thing you have
created, you have all of this responsibility and you miss
out on everything. The grass is always greener whatever
you are doing.”
A lot of musicians are concerned with selling out. Wentz
says, “To me, selling out is when you bend your ideals or do
something that you wouldn’t otherwise do just for like a
lucrative interest. Everything that Fall Out Boy does is
something that we are interested in doing and we are not
doing because of the money. If there is money there or not
that is cool. There have been plenty of things that we turned
down that we could have done to increase our popularity,
whether it be tours, commercials, tours with certain
bands…but we hold certain ideals and there are certain
things that we are just not going to do.” Media darlings, the
band has been seen on MTV’s TRL as well as guest starred
on the WB teen drama “One Tree Hill.”
The full out rock show consisted heavily of songs from
their second release, From Under The Cork Tree. During the
show, the band was joined by lead singer from the band The
Academy Is. The audience seemed very familiar with most
of the songs as they sang and danced their way throughout
the evening. At one point, Wentz joked about the parents in
the audience and said it was cool that they brought their kids
to the show, something his dad would have never done.
Wentz said Fall Out Boy has 12 new songs written, with
about 30 “fragments” of other songs floating around.
Joining Fall Out Boy on their ‘Black Clouds And Underdogs’
tour was All-American Rejects and Hawthorne Heights.

Popularity: 2% [?]

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Wicked

It was a horrible nightmare. Freedom of speech was curtailed. National leaders iconized and demonized in the winks of eyes. History was treated as flexibly as a fairy tale or a make-believe Sunday matinee. I watched in terror as sweet hoi polloi exploded into a fire-burning pitchforkwielding lynch-mob ready to shred the very same being they had wooed just moments ago.
Meanwhile, those who would speak out have been locked up. The military has been beefed up. And the rest of you had better shut up!
It truly makes the heart and stomach plunge to witness from a comfortably velvetized balcony just how US people … oops, I mean OZ people … were manipulated by the sham wizard. “The people need an enemy” he explains.
And so he and his complicitous media hack turn reality into a twister, obscuring the truth and downright lying about the guilt of those currently filling the glittery shoes of leadership.
How far can this go? How long can this metaphor, this nightmare, continue? Clearly, nobody is encouraged or taught how to think in this world. The few who refuse to go along nicely are either corrupted or destroyed.
And what about you, reader? Do you think? Are you thinking that this is no longer a theatre review and has become a political editorial? Perhaps that is because Oz, Baum and especially the Wizard have always been vehicles for sociopolitical commentary. Novelist Gregory Maguire and playwrights Stephen Schwartz and Winnie Holzman were stepping into rich and dangerous territory when they braved the likes of Dorothy, Boq and the other denizens of Gilliken, Winkie and Quadlinglands.

What’s that? The stage show doesn’t match the movie? Or the books? Or even the novel **Wicked,** upon which it is based? Don’t worry. None of it is really true! It’s all merely pop fiction. And even it weren’t just a uniquely American fantasy metaphor, who decides Witch history is the correct one? Ding Dong!
Regarding Elphaba of the West, the baddest bitch of the silver age screen, well, we are told the secret story of her hideous birth, emerald florescence and enviable end. Forget the “official” version and leave your childhood beliefs behind. We are let in on the true story, if truth really
exists. Wicked suggests, and I agree, that truth is malleable and entirely subjective. Given only a few, spectacularly-lit-yetflimsy gowns of evidence, the smallest fear can billow into a beautiful banshee, filling the stage with amorphous black evil, diaphanous and eerie, truly Defying Gravity and sanity.
The real terror in this world is when people buy into the idea of 100% good or 100% evil. When there is no room for gray (or green), decisions can be hasty and deceptively clear. But in fact, says Wicked, clarity is just another malleable tool, used by the media/reality wizards. Is that so
surprising? Your own Mom probably used the line “Because I said so” to instantly and irrevocably shape your reality with mere verboserocity. Just put on your green glasses and play nicelike … or else!

The language used by these Ozites, especially Goofalinda and Madame Morrible, is delightable and quirkacious, and entirely Baumian; contemporary-ish to the Bowery Boys and certainly a welcome delight when so much theatre seems to go for guttural grit over mental grist.
The costumes in this production were obsessively superb, honoring the cinematic and literarily established flavor of Oz garb — a sort of baroque anything goes formality — and the men dancing in dresses almost make up for the lackluster score. Perhaps if the chorus were more goodly elocuted and audibillable over the underwhelming  orchestration they would stand out better. Or maybe the tunification was a bit unispirable. Oh sure, it was all Wonderful (and yes, I cried at the end, ok?) but the real strength of this particular production was not musical. It was verbal and philosophical.
Stephanie J. Block is a splendid icky-witch, instantly endearing us all to the Scourge of Munchkinland. Margaret Hamilton would no doubt be delighted that her character has been repainted as an odd beauty with a honorable soul and the “hottest” of boyfriends, would-be Winkie King Sebastian Arcelus. Perfect Kendra Kassebaum no doubt fabulously glistens even out of costume, and somehow outrageously lampoons Glinda the Good without actually destroying the fragile eggshell of confidence and security that we remember so well from Billy Burke’s twittering blip. One thing is for sure, after this, watching Judy’s slippered sachet down the golden lane will never be the same.

Which witch are you with? Wicked asks: when you to look into the mirror do you find the protector of free speech with a beryl pallor, or do you see the bubble-wrapped fuchsia bimbo of Popular-ity? Doors open, doors close, people change and make decisions that may or may not be good. It just depends on how you look at it. Life and love are complex, and you are in big bad trouble if you don’t try to see things from many different points of view.

There’s also this curious Miss Piggy/Kermit lesbian love undercurrent that runs through the musical production of Wicked. The sweetest ballad by far is “For Good” sung not between hetero love interests but by Gay-Linda and the Wicked One herself, proving beyond dispute that pink and green are complimentary polarities just as black/white, good/evil, truth/whatever.
Wicked exonerates Elphaba, sort of. In the end she becomes obsessed with power and those fabulous shoes.
More importantly Wicked also implicates Galinda, and her gaggle of ignoramus sycophants, Dancing Through Life and willingly accepting pablum, coverups and happy untruths as the price of “party-on” simplicity. Could they have it any other way?
It is a fabulous, exotic and terrifying dream to be stuck in. We’re not in Kansas anymore, Dodo, and if only I could just wake up with Dorothy, everything would be Wonderful.

Popularity: 1% [?]

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Mraz the Spaz


Story and photo by John Chambrone
ST. PETERSBURG—Singer Jason Mraz is not one to shy away from his self-described geekiness. He actually embraces it. “Here I am, this skinny little white kid wearing this
pink polo shirt, just feeling totally awkward. I probably looked like the biggest nerd.” The former cheerleading camper even penned the tune ‘Geek in the Pink,’ describing the colored shirt he bares no shame wearing in public. Leaving the pink shirt behind at a recent Janus Landing
performance, Mraz’s fifteen-song performance drew heavily from his sophmore release, Mr. A-Z. “I get to meet a lot of awkward teenagers, and right now they’re kind of feeling like they’re not cool, but it’s usually the geeks that are the cool people, and the people who think they’re really cool are usually the geeks,” he said. “But the bottom line is we’re all the same people. We’re all just a bunch of geeks trying to make it up as we go along.”
One can see that Mraz is passionate about his music, but maybe he should leave the rapping to the professionals. He is at his best when he just sings. Case in point, Mraz opened the show with his single “Life Is Wonderful.” It is a beautiful song with a ‘la la la la’ type chorus. His ‘rhyme,’
two songs later, just wasn’t as impressive. Sure, the guy can master the mike, but I think he is selling himself short. Mraz is the geeky, sensitive, artist type, and the rapping just clashed with what he is perceived to be. Midway through his performance, opening act Tristan Prettyman came onstage and they dueted his song “Shy That Way.”
Mraz has been busy on the concert circuit recently, opening for acts like Liz Phair, Alanis Morissette and the Rolling Stones. Relishing his time on the road with Mick Jagger and the Stones was an experience he will never forget. Not only did he get to watch them perform nightly, but he got a few chances to talk to the members of the band. His biggest moment came, however, when he got his mom backstage to meet them. Mraz joked that it was fun
seeing his mother acting like a teenager when she got to meet the legendary Rolling Stones.

About his time at cheerleader camp, he confesses there were a few reasons behind attending it. Screaming into a megaphone during rallies may up your geek factor tenfold, but Mraz says he milked every second of the opportunity.
“There were three guys and like 400 beautiful cheerleaders,” the singer joked. “It’s like, ‘Are you kidding me?’ I don’t know why guys get flack for being a cheerleader, because it’s the best gig you could ask for.” While in high school, Mraz was also involved with choir, drama, and spent many a Friday night at Skate America.

Popularity: 1% [?]

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Brokeback is a Hit!


TAMPA—The Gay & Lesbian Alliance Against Defamation was among the organizations lauding the opening weekend success of Ang Lee’s long-awaited gay cowboy flick, Brokeback
Mountain. Opening in just five theaters in New York, Los Angeles and San Francisco, the film took in a record three-day box office total of $544,549, or an average of $109,000 per screen — both the highest per-screen average for any film release in 2005 and the highest per-screen average ever for an adult drama, according to Exhibitor Relations Co, Inc.
Not only does Brokeback seem to be a commercial hit, but it is a critical success, as well. When the Golden Globe nominations were announced, the film lead the pack with seven, including Best Picture, a Best Director nod for Ang Lee and Best Actor for Heath Ledger, making it a leading contender for the Oscars.
Brokeback Mountain opened in limited release in December, and will expand to more theaters in January. Check local listings for a theater near you.

Popularity: 1% [?]