Before Federer v. Nadal, before Borg v. McEnroe, the greatest tennis match ever played pitted the dominant Don Budge against the seductively handsome Baron Gottfried von Cramm. This deciding 1937 Davis Cup match, played on the hallowed Wimbledon grounds, was a battle of titans: the world’s No. 1 tennis player against the No. 2; America against Germany; democracy against fascism. For five superhuman sets, the duo’s brilliant shotmaking kept the Centre Court crowd—and the world—spellbound.
But the match’s significance extended well beyond the immaculate grass courts of Wimbledon. Against the backdrop of the Great Depression and the brink of World War II, one man played for the pride of his country while the other played for his life. Budge, the humble hard-working American who would soon become the first man to win the Grand Slam—all four major titles in the same year—vied to keep the Davis Cup out of the hands of the Nazi regime. On the other side of the net, the immensely popular and elegant von Cramm fought Budge point for point knowing that a loss might precipitate his descent into the living hell being constructed behind barbed wire back home.
Born into an aristocratic family, von Cramm was admired for his devastating good looks as well as his unparalleled sportsmanship. But he harbored a dark secret, one that put him under increasing Gestapo surveillance. And his situation was made even more perilous by his refusal to join the Nazi Party or defend Hitler. Desperately relying on his athletic achievements and the global spotlight to keep him out of the Gestapo’s clutches, his strategy was to keep traveling and keep winning. A Davis Cup victory would make him the toast of Germany. A loss might be catastrophic.
Watching the mesmerizingly intense match from the stands was von Cramm’s mentor and tennis’s all-time superstar Bill Tilden—a consummate showman whose double life would run in ironic counterpoint to that of his German protege.
Also in the grandstand were a panoply of personalities who form a fascinating supporting cast for the drama on court. Movie stars, famous journalists, a Nobel-Prize-winning statesman, and one of America’s greatest humorists all make prominent appearances. The Great Depression, the rise of Nazi Germany, anti-Semitism and homophobia both there and also in England and the U.S., and the Holocaust are all important themes in this story.et at a time when sports and politics were inextricably linked, A Terrible Splendor gives readers a courtside seat on that fateful day, moving gracefully between the tennis match for the ages and the dramatic events leading Germany, Britain, and America into global war. A book like no other in its weaving of social significance and athletic spectacle, this soul-stirring account is ultimately a tribute to the strength of the human spirit.
A Terrible Splendor’s author, Marshall Jon Fisher was born in 1963 in Ithaca, New York, grew up in Miami, and graduated from Brandeis University, where he played varsity tennis. He worked as a sportswriter in Miami and a tennis pro in Munich before moving to New York City, where he received an M.A. in English at City College. In 1989 he moved to Boston and began working as a freelance writer and editor.
He has written on a variety of topics for The Atlantic Monthly, ranging from wooden tennis rackets to Internet fraud, and his work has also appeared in Harper’s, Discover, DoubleTake, and other publications, as well as The Best American Essays 2003. His book The Ozone Layer was selected by The New York Public Library as one of the best books for teenagers of 1993. His book (with his father, David E. Fisher) Tube: the Invention of Television was published by Counterpoint in 1996 and by Harcourt Brace in paperback in 1997. Their second book together, Strangers in the Night: a Brief History of Life on Other Worlds (Counterpoint 1998), was selected by the New York Public Library as one of the twenty-five Books to Remember of 1998.
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